On November 11th, 2019 — Chris’s 55th birthday — he releases a new album, Sleeping Partner, in digital download and limited edition CD formats on Armalyte Industries.
Get Sleeping Partner
The track listing for the album:
- Maria Imbrium
- The Sun Is A Maze
- Obsession Stares Back
- Private Screening
- The Belonging
- Young Magician
- The Black Hive
And bonus remixes:
- Picassa (Fantome Tranquile Remix by Dan Milligan)
- The Sun Is A Maze (M-Descent Remix by Dan Milligan)
Also soon to be available is Chris’s book of lyrics and poems, The Heart Has to Ache Before It Learns to Beat, in paperback and digital download formats from Shipwrecked Industries. The book will include lyrics including those for Sleeping Partner, and other collaborative works of 2019.
Coming November 11 2019, the publication of THE HEART HAS TO ACHE BEFORE IT LEARNS TO BEAT from Shipwrecked Industries, a four-decade retrospective of lyrics and poetry by Chris Connelly.
This book comes two decades after Chris’s last volume of poetry, Confessions of the Highest Bidder, was published, and brings together more early works, collaborations, and obscure, long-hidden gems, as well as his work with Ministry, The Revolting Cocks, Cocksure… and, of course, every solo album.
The book has a beautifully written foreword by Shirley Manson, one of Chris’s oldest and closest friends, and cover photography by Michael Begg.
ISBN and pre-order links will be available in early November — watch this space for more information.
“Five tracks inspired by artists or artwork I have seen in the last year,” is how Chris explains his latest digital and limited-edition cassette release. “There are a lot of sounds recorded on location in Scotland, including a piano I recorded at the Museum of Transport in Glasgow.”
- New Tendencies
- Graspering Whisp
- Saliva Beach (Death It to Love 2020)
Released by No Devotion Records.
Buy from Bandcamp
Out today, 4 July 2019, is a special project to benefit Kids In Need of Defense (KIND), which works to ensure that unaccompanied immigrant and refugee children in the United States have legal representation in their deportation proceedings.
Chris has contributed an original song called “Waiting for Clouds” to this album, on which Chris Bruce also performs.
You can help KIND ensure that no child stands in court alone by purchasing the digital album on Bandcamp.
Buy on Bandcamp
Chris reflects on another 365 days gone by… were you able to keep up with all of his activities? Photo of Al and Chris by Derick Smith
It was another very active year which started off with SONS OF THE SILENT AGE playing the best of Bowie’s so called “BERLIN TRILOGY”: what a start to the year!! This was soon followed by the release of the solo album “THE TIDE STRIPPED BARE” in February to humbling reviews. April saw a startling WAXTRAX era succession of events where I opened as a solo artist for MY LIFE WITH THE THRILL KILL KULT, COCKSURE played a one off show opening for FRONT 242, and I was reunited with AL JOURGENSON, joining MINISTRY onstage, reviving our friendship and our dormant musical collaboration.
June saw the screening of INDUSTRIAL ACCIDENT in CHICAGO for which I was a guest on the panel, and later in June I travelled to beautiful MONTREAL to do the same and play a solo set with the amazing DEAD DOG from Montreal.
Over the summer I recorded a vocal for the forthcoming FRONT LINE ASSEMBLY album, SONS OF THE SILENT AGE performed another sold out show in Chicago, and we went on to film promo shots for several BOWIE songs, many of which have now been shared online. (See the latest for Joe the Lion.) Another COCKSURE album was recorded, BE RICH, for Metropolis Records, followed by the band playing at all three Cold Waves festivals, in New York, Chicago and L.A.
November saw the release of the double album BLOODHOUNDS, again to humbling response, on my 54th birthday, no less. A week later I performed the entire NEW TOWN NOCTURNES album live for the first time, and the year was brought to a satisfying close by performing with MINISTRY three more times, in JOLIET and at the HENRY FONDA THEATRE in LOS ANGELES.
What next? Who knows, the year stretches out waiting to be filled with shards and fragments of my idiosyncratic creative life……