THE SHEER ACTION OF FINI TRIBE: 1982-1987 is a retrospective of the band’s material focusing on the years 1982 to 1987. It was a long time in the making, a labour of love for the band, showcasing their most productive years as a six piece with members CHRIS CONNELLY, ANDY MCGREGOR, DAVID MILLER, SIMON MCGLYNN, PHILIP PINSKY, and JOHN VICK.
Fini Tribe in 1986, photo by Peter Ross
The compilation of tracks — including the legendary JOHN PEEL session from 1985, the original 12” singles including DETESTIMONY and the WAXTRAX! singles, and unreleased live tracks –- gives as broad a spectrum of the breadth of the band’s creativity during those five important years from 1982 to 1987. The whole package was lovingly remastered and the album and art was produced by members of the band.
This project will be released as a three-CD digipak with 24-page booklet, a vinyl LP in a gatefold sleeve with insert, and digital download on October 10th 2025 via SHIPWRECKED INDUSTRIES and distributed by VIRTUAL LABEL. Full track listings and other album details are below.
The three-CD digipack includes a 24-page booklet with:
A short essay by SHIRLEY MANSON of GARBAGE
A short essay by ALASTAIR MCKAY, author of Alternatives To Valium: How Punk Rock Saved a Shy Boy’s Life
A long essay by ANDY MCGREGOR
50+ photos and other art
DISC ONE: SINGLES & COMPILATION TRACKS
1. Cathedral (from Curling & Stretching 12”)
2. Backwards and Forwards We Lean (from Curling & Stretching 12”)
3. Curling Theme (from Curling & Stretching 12”)
4. All Fours (From compilation You Bet We’ve Got Something Against You)
5. Detestimony (from Let the Tribe Grow EP)
6. Throttlehearts (Rising Mix) (from Let the Tribe Grow EP)
7. Adults Absolved (from Let the Tribe Grow EP)
8. Monimail (from Let the Tribe Grow EP)
9. I Want More (from The Sheer Action of Fini Tribe EP)
10. Idiot Strength (from The Sheer Action of Fini Tribe EP)
11. Make It Internal (from Make it Internal 12” EP)
12. Little Visitors (from Make it Internal 12” EP)
13. All Fours (Remix) (from Censorship Sucks compilation)
14. I Want More (7” Mix) (from The Sheer Action of Fini Tribe EP)
15. Make It Internal (Integrity Mix) (from Make it Internal 12” EP)
DISC TWO: SESSIONS & DEMOS
1. Splash Care (John Peel Session)
2. Goose Duplicates (John Peel Session)
3. An Evening with Clavichords (John Peel Session)
4. We’re Interested (John Peel Session)
5. Paperself
6. Me and My Shadow
7. Goose Duplicates (Instrumental)
8. Splash Care
9. An Evening with Clavichords
10. Goose Duplicates (Vocal Mix)
11. We’re Interested (Instrumental)
12. Big Jug / Wet Steel Rail
13. We’re Interested (Vox)
14. Restless
15. The Cure for Madness
16. Bye Bye to the October Sky
17. The Constant
18. Throttlehearts (vocal version)
DISC THREE: LIVE+
1. Dirty Harry
2. Do We Understand Each Other
3. I Want More
4. Idiot Strength
5. Bye Bye to the October Sky
6. Backwards and Forwards We Lean
7. Cure For Madness
8. Restless
9. Paperself
10. Backwards and Forwards We Lean (Instrumental)
11. Monimail II
12. City on a Fence
13. Torch/Distance
14. Choke
Vinyl LP (SHIP004LP) Track Listing
The vinyl release is a single LP in a gatefold sleeve including:
A short essay by SHIRLEY MANSON of GARBAGE
A short essay by ALASTAIR MCKAY, author of Alternatives To Valium: How Punk Rock Saved a Shy Boy’s Life
A long essay by ANDY MCGREGOR
A special insert with an eye-witness account of the ‘Absolution’ performance by INNES REEKIE
A dozen photos and other art
SIDE ONE
1. Splash Care (Peel Session)
2. We’re Interested (Peel Session)
3. Goose Duplicates (Peel Session)
4. An Evening with Clavichords (Peel Session)
5. Detestimony
SIDE TWO
1. I Want More (7” Edit)
2. Me and My Shadow
3. Paperself (Live at Pleasance)
4. Do We Understand Each Other (Live at Calton Studios)
Album Information
All tracks composed by: CHRIS CONNELLY
ANDY MCGREGOR
DAVID MILLER
SIMON MCGLYNN
PHILIP PINSKY
JOHN VICK
Except for “I WANT MORE” written by KAROLI/CZUKAY/SCHMIDT/LEIBEZEIT/GILMOUR
Album Credits:
Design & art direction: Andy McGregor remixing 1980’s Fini art
Cover art: high school printed t-shirt by Simon McGlynn
Engineering, production, and mixing for each track listed in the metadata document
Album mastered by James Scott, Populist Recording & Mastering
Ahead of the release of THE SHEER ACTION OF FINI TRIBE: 1982-1987, the band re-release the single “I WANT MORE” as well as the video, both originally released in October 1987 by WaxTrax! Records.
Chris recalls:
“I Want More” is a cover of a song by CAN, a firm favourite of the band since even before its inception! We had a great time re-arranging the song and working on its percussion-driven framework. When we approached WaxTrax!, Jim Nash told us that the single by CAN was in heavy rotation always at the WaxTrax! store in Chicago, so we knew we had come to the right place.
The compilation, THE SHEER ACTION OF FINI TRIBE: 1982-1987 was a long time in the making: a labour of love for the band, showcasing our most productive years as a six piece. The compilation of tracks – from professional BBC recordings to live performance and rehearsal room demos – gives as broad a spectrum of the breadth of the band’s creativity during those five important years from 1982 to 1987.
Listen to Chris talk about Fini Tribe, the compilation, and much more in this interview with Industrial Amputation.
Full details for THE SHEER ACTION OF FINI TRIBE coming soon!
On the release of WHITE PHOSPHORUS: CHRIS CONNELLY PLAYS THROBBING GRISTLE:
Maybe this is a “full circle” situation. I first heard THROBBING GRISTLE at the BEGINNING of my journey — this would have been very late 1978 or very early 1979 — I read about them in my bible (the ZIGZAG guide to independent labels). But it was hearing HAMBURGER LADY on John Peel, that was the equivalent of seeing “Starman” on Top of the Pops or seeing the Pistols at the Screen on the Green: for me it was being scared shitless in my dark bedroom with my little transistor radio, same as it had been when Peely had played FRANKIE TEARDROP a while prior. I was smitten, in love, you probably were too, you probably know EXACTLY what I am talking about.
I will digress a little from the matter in hand: I corresponded with TG, and formed a friendship that lasts to this day. I explored the music the way you did back then, although theirs was a slick and friendly operation, great postcards, great stickers, a NEWSLETTER!!! And an efficient mail order service, you didn’t have to endure the condescending bastards at the Virgin on Frederick Street to get your hands on the goodies.
And then, a year later, came the live cassettes. After spending every waking moment wondering what the rest of the live performances were like beyond the snippets and tracks we had on the two albums, I could buy the C60 cassettes one at a time and listen at home. I remember my first three: THE BEST OF VOLUME 2, INDUSTRIAL TRAINING COLLEGE WAKEFIELD, and AIR GALLERY/WINCHESTER. I would cycle around Edinburgh with my cassette player in my bike basket playing them, down by the canal, down by the abandoned factory, past the church, past the CO-OP (we didn’t have Tesco yet).
Okay, which brings me to now: I could not have made WHITE PHOSPHORUS any other time: it never occurred to me, and then one day it did, I wanted to make something that reminded me of… that reminded me of… these carefree days soaked in rain through the industrial netherworlds of Edinburgh, those sun-kissed mornings delivering newspapers and listening to “Live at the Rat Club” or “Live at Nuffield Theatre”.
This album is a “full circle” situation for me, but a very personal one, I suppose. I am COMFORTABLE within the abstract madness of THROBBING GRISTLE, much more so than I ever was in the Revolting Cocks, PLEEEAAASE!!!! If you know me, you know that to be true.
WHITE PHOSPHORUS is my fave, my go-to. THEY were the architects, the writers, the attackers, and the jokers. THEY let me in, and I love them for it.
In 1981, JON SAVAGE wrote a brilliant essay called “THE TAPE DECAYS” which came with the TG 5LP box set, released shortly after they split. I bought it, still nursing a very broken heart. The essay unsettled me, because, the tape COULD decay back then in ’81. We didn’t know how digital it would get soon enough, we didn’t know it would be digitized before oxide flaked off like black snow. We’re safe, it’s ok.
The title “WHITE PHOSPHORUS” is exclusively for the deepest TG diver; if you figure out where it’s from, you’re pretty fucking cool — cooler than me!
Chris Connelly
Winchester Hat Fair
1976
WHITE PHOSPHORUS: CHRIS CONNELLY PLAYS THROBBING GRISTLE is available on a limited-edition (300 copies) 180g black vinyl pressing only.
Having carved a twisted career with behemoths MINISTRY and REVOLTING COCKS over the past 40 years, starting life with the formidable FINI TRIBE and collaborating with disparate characters such as KILLING JOKE, CABARET VOLTAIRE, JIM O’ROURKE, and too many others, I have returned to my first love, THROBBING GRISTLE, armed with a cassette recorder, a reel to reel, a razor blade and some tape. I want to invoke the spirit of mid to late 70s live TG: random, tense, scary, and compulsively fascinating. WHITE PHOSPHORUS is for the TG connoisseur, for the morbidly curious, and the tragically dysfunctional amongst us.
I present a video for the track “MOTHER SPUNK” a piece by THROBBING GRISTLE that is so uncompromising that I felt it HAD to be the first single from the album, in true TG style, defying all expectations. “MOTHER SPUNK” was lovingly re-created by me using only the bleakest of antiquated analog equipment under the most excruciating circumstances…
Chris created the cover himself, very much in the spirit of the earliest Throbbing Gristle releases, coming from a 70s Xerox angle. It goes ahead with the blessing of the surviving members of Throbbing Gristle, Chris Carter and Cosey Fanni Tutti. The album is pressed on 180g black vinyl and will be available on 30 May 2025 from Dirtier Promotions.
The SEVENDIALS album “A Crash Course in Catastrophe” is out today via Cadiz Music/Creation Youth Music in CD, vinyl, and streaming formats! Also released is a video for a second single, a cover of SPARKS’ “Number One Song in Heaven”.
In the 19th century, London’s West End area known as Seven Dials was notoriously dangerous and disreputable; a very dangerous place to be after dark. This darkness and danger provided the perfect inspiration for the dusky, foreboding sounds created by this new musical union now known as SEVENDIALS.
The first single, “Zodiac Morals”, will be released on February 28th 2025. It’s a a swaggering premonition of disaster propelled by the thunder of Paul’s drums and Mark’s weaponized guitar. What’s it about? “Using the stars to guide you because the terrain is always too dark: are the stars twinkling with hope? Or are they spent and dead infernos? The word zodiac began to have negative implications when the ZODIAC KILLER became part of the collective zeitgeist, anti-morals, zodiac morals.”
A CRASH COURSE IN CATASTROPHE, the debut album by SEVENDIALS, will follow on April 4th via Cadiz Music/CreationYouth.
While the album is available as a digital download, many fans will be interested in the limited edition CD release which ships with a unique piece of art by Chris (charcoal and pencil art on paper). The CD with artwork can be ordered from Bandcamp — and note that there are copies shipping from the UK as well as the US.
This album serves as an impressionistic view of my life in Edinburgh before I moved to the States, leaving behind what I now realize is unfinished business, unresolved aspirations, like a plant viciously ripped out by the roots and thrown away.
Following the death of my mother in 2023, I spent time wandering around the streets on my own, trying to place the melancholy, trying to steal back the essence of joy I felt in my late teens/early 20s, and it inevitably led me to write, which is the way I have always been able to answer my own questions.
There are 8 songs on this album, each rich with strong feelings of then and now, memories that may or may not be accurate, locations, events, friends and lovers. I want the listener to walk with me quietly through endless days and nights, through the streets of Edinburgh in the early 1980s, over the tenement rooftops, up the hills with cans of Red Stripe and a well stoked hash pipe. Sitting in the Wee Red Bar, Bannermans, The Gilded Balloon, or the Royal Circus. Playing endless nights of music with my beloved FINI TRIBE, dancing at the Hoochie Coochie Club.
Some of these songs are half submerged in dreams, the locations distorted, the colors heightened, the times fluid. If you knew me back then, and we were pals, you are represented, and thanks for the memories.
I no longer live there – life and its commitments have me elsewhere – but I miss it badly and have never felt at home anywhere except Edinburgh, where my soul continues to walk the New Town streets and climb the hills.
All physical copies of this album come with a unique drawing by myself. They are not copies, they are originals in charcoal and pencil of the memories that surround and thrive at the heart of this album. I sat down over a period of time and just drew, it was visceral, emotional, and a lot of fun.
A special shout out to the FINI TRIBE, stars of the song and video for FINI CHAGALL.
Album details and notes:
So Long, Ariane
Swords at St. Peter’s
Lost to Your Amour
Odeon
The Scars
Fini Chagall
Port of St. Catherine
Midnight on the Swansway
All songs written by CHRIS CONNELLY
Voice, electric guitar, acoustic guitar, sax, percussion, synth, bass, and harmonica by CHRIS CONNELLY
Mastered by JAMES SCOTT at Populist Recordings
Recorded at THE ROCK NOIR, September/October 2023
Front cover drawing: “Dancing at the Hooch” by Chris Connelly (charcoal and pencil on paper, 2023)
Back cover photograph of the Dean Village by GILLIAN WHISKER (with thanks)
Layout by KIMBERLY BLESSING
Dedicated to the lovers on St. Stephen’s
Video for “Fini Chagall” by KIMBERLY BLESSING. Includes footage of Fini Tribe taken by ANGUS CAMERON in the 1980s.
Available today on Bandcamp is Chris’s latest EP, SHELTA.
Of it, Chris writes:
When I started writing SHELTA, I presumed I was working on a new album, however, the number 5 kept coming up, so I stopped at 5 pieces — not necessarily 5 easy pieces, these songs come from grief, the fatigue that grief brings, and the constant reminders of our own limitations. These songs come from non-belonging, feeling like an outsider in one country and an outsider in my country of birth. These are songs that attempt to reconcile. It was a pleasure then…
The track listing is:
Shelta’s Lament
Of Love and Rain
Funeral Eyes
The Man Loves Zero
Fly Away Blues
All songs written, played and produced by Chris Connelly at the Rock Noir, July 2023.
For those who couldn’t make it to Chris’s recent gig at the Gman Tavern, we present Fa Massa Calor – Live at Gman 2023 – a recording of selections from that evening. The set list that night included tracks from Eulogy to Christa as well as other songs from Chris’s extensive catalog.
Track listing:
Draw From It (Like a Vampire)
Artificial Madness
Jackietown
Fa Massa Calor Aqui Fora
Oh Jim II
Largo
80s Beat Boys
Credits:
CHRIS CONNELLY – vocals, guitar, autoharp
with CAROLYN ENGLEMAN – additional keys, percussion and vocals
Recorded April 22nd 2023 at the Gman Tavern, Chicago, and mixed by Evan Peters.
Cover photo by Casey Mitchell.
All compositions by Chris Connelly except LARGO by Chris Connelly & William Rieflin.
