News Archives: News

First single from EULOGY TO CHRISTA now streaming

Earlier today, Spill Magazine premiered “Eulogy to Lenny Bruce”, the first single from Chris’s upcoming release, EULOGY TO CHRISTA: A TRIBUTE TO THE MUSIC & MYSTIQUE OF NICO.

Here’s what SPILL NEW MUSIC thought of the track:

Here Connelly, with his beautiful timbre and artistic candour, delivers a haunting and touching rendition of Nico’s music. Nobody performs quite like this masterful musical chameleon and here, he channels her fabulously, honouring her with depth and personability as if the tragedy explored was his own personal loss. Not surprisingly, Connelly offers impeccable delivery and smoothness, which almost nobody else could possibly get away with.

The track is now available on Bandcamp, SoundCloud, and will be coming soon to other streaming platforms.

More information on the album, including both digital and physical release formats, will be posted this week!

Abandoned Premonitions

Chris is excited to announce a very special release coming out exclusively on Bandcamp on Friday, March 4th.

ABANDONED PREMONITIONS is a new mini-album of 8 pieces made up of music I wrote but never recorded until now: the discovery in my files of a folder full of music that was untitled, with few notes sitting in a cabinet in my studio, stretching back about 30 years. I sat down and played them, chose 8 and recorded them, pairing them up with poems that were also unrecorded, some published in the book “THE HEART HAS TO ACHE BEFORE IT LEARNS TO BEAT”. It was wonderful to basically navigate these pieces in the dark, with no recollection of tempo, key, etc. Complete with beautifully spectral artwork by Kimberly Blessing!

Learn more about the project and preview one of the tracks – HARBOUR DAYS II — on Bandcamp now.

Go to Bandcamp

2021 In Review

First of all, a sincere word of gratitude to those of you who listen and read what I write! I do not take it for granted, and I am privileged, so THANK YOU!

Also, thank you to everyone who participated in the Largo fundraiser. This year, we raised over $1,350 for the Floyd & Delores Jones Cancer Institute in memory of Bill Rieflin.

2021 was a remarkable year for me. It saw the release of THE BIRTHDAY POEMS, which was the realization of two years of research for what I wanted to be a book originally, but organically and alchemically and spiritually became an album, which was written and recorded during lockdown of 2020. Being able to work remotely in isolation but so closely with CHRIS BRUCE and MONICA QUEEN proved that indeed, distance was just a number (and a bit of a time difference) yet we were so connected. THE BIRTHDAY POEMS is work I am proud of, the “if I pop my clogs today, I am satisfied” kind of proud (though I want to stay around!!). The videos created by MATT WALKER & DERICK SMITH (Tae the Poets), IAIN MUTCH (My Father Took Me Everywhere), and KIMBERLY BLESSING (Let Us Be Hushed) were amazing, beautiful, and humorous foils to the album, as was GILLIAN WHISKER’s evocative photography of Edinburgh.

In June, I played three nights at the GMAN TAVERN in Chicago, highlighting THE BIRTHDAY POEMS and my recent book, THE HEART HAS TO ACHE BEFORE IT LEARNS TO BEAT. It was a wonderful experience before an appreciative audience; it felt amazing to play live again, to share stories, sing and read aloud that which I had written, again, a privilege.

The year also brought AMERICAN PARASITE by THE JOY THIEVES, for which I provided all the vocals. Born out of political frustration, humanitarian panic and anger, I could not censor myself or “nice up” the vitriol against the wave of enraged and powerful music I was given to sing on whilst soaking up CNN to a soundtrack of CRASS. The album was born screaming and fighting, and I am very bloody proud of that, too.

In September, I teamed up again with PAUL BARKER, this time to mine the LUXA/PAN treasures of the earlier WaxTrax days. As a duo, we played COLD WAVES in Chicago and LA as well as playing Brooklyn with our old pals FRONT 242. It was nostalgic and a lot of fun.

I feel fortunate to be able to move forward creatively and still be able to acknowledge what I did decades ago. I am looking forward to 2022 as I busy myself with SONS OF THE SILENT AGE, as well as a number of writing projects. Keep an eye on Bandcamp — there is new music on the way as well as some reissues/resurrections from the past.


(…and here is my top 10 for the year!!)

Announcing “The Birthday Poems”

Chris’s new album, THE BIRTHDAY POEMS, will be released on Tuesday, June 15, 2021 by Jnana Records. The album draws on Chris’s Scottish origins and interest in Scottish literary history by presenting a fictionalized account of the romance between STELLA CARTWRIGHT and GEORGE MACKAY BROWN, and their friendship with STANLEY ROGER GREEN.

The album is performed by Chris Connelly and singer Monica Queen and features Levon Henry, Dave Eggar, Blake Collins, and Phil Faconti. Long-time collaborator Chris Bruce has produced the album.

To celebrate the release of this new album (and an easing of lockdown measures), Chris will perform to a limited audience on Saturday, June 26 at GMan Tavern in Chicago. More information and tickets are available here.

This very special release has its own website to support the unveiling of this story. Please visit The Birthday Poems for full information and stay tuned…

The Birthday Poems

‘Largo’ Fundraiser for Cancer Charity

One year ago we said goodbye to Bill Rieflin. Since then, with your support, the CC community has raised nearly $1,200 for the Floyd & Delores Jones Cancer Institute, which provided care and support for Bill. Today we have another opportunity to raise more funds, to further support their good work.

Back in September, on what would have been Bill’s 60th birthday, Chris and Jessica Gallo released an arrangement of Bill’s song Prayer, from the album Largo.

Largo is long out of print — but Chris has managed to find six copies of the CD and some promo photos to make available to fans as a fundraiser. Here’s how you can get one of these items and support the cancer institute:

Silent auction: Three copies of the CD are up for auction to the highest bidders. Winners in the US and Canada will have the option to make their donation directly to the foundation in order to qualify for a tax deduction.

Raffle: The other three copies of the CD will be raffled off — “tickets” are just $5 each.

Bandcamp: The promo photo sheets (see photo below) will sell for $10 on Friday, April 2nd (the next Bandcamp Friday). Look for them around 7 AM CDT!

Auction bids must be received by 12:01 AM CDT on April 1st, 2021. Raffle tickets will be available through April 1st, 2021 with the raffle taking place on April 2nd. Winners/buyers will be notified on April 2nd by email; they will have the option to have their CDs or promo photos autographed (alas, by Chris only). Our aim is to share the love (or Largo) as widely as possible, so we’ll only accept the highest bid from each bidder, and regardless of how many raffle chances purchased, you can only win one copy of the CD. Use the buttons below to bid or buy your raffle ticket!

Update: The silent auction has now closed. Thank you to everyone who submitted a bid!

Update: Raffle tickets are no longer available. Thank you to everyone who purchased a ticket!

If you wish to make your own tax-deductible donation, please visit the Virginia Mason Foundation Donate Page and select “Floyd & Delores Jones Cancer Institute” from the Designation drop-down. After clicking the button, complete your personal and payment details, and indicate that the gift is in memory of Bill Rieflin in the Tribute section.

Thank you.

Final Bandcamp Friday of 2020 and Interview Round-Up

It’s the final First Friday of 2020, one of the most unkind years on record for the majority of the world. Musicians have had it particularly hard this year — but thanks to Bandcamp for their Bandcamp Fridays program, many artists have had an opportunity to receive a greater part of the revenue on the sale of their music and merch. Chris thanks everyone who has supported him and his fellow artists via this program.

In case you missed it, Chris created a number of Bandcamp-only releases this year:

And today comes A Many Acted Play, which includes unreleased demos from The Ultimate Seaside Companion, Blonde Exodus, The Episodes, and more. (Note: some of these tracks used to be available in the Downloads section of an earlier iteration of this website but have been unavailable for over 5 years.) You can stream the tracks on Bandcamp (and support, if you wish) now!

Furthermore, did you know that Chris and Mark Gemini Thwaite (MGT) released a single this year? Check out “How Long”, a cover of the 1975 Ace soul classic and learn more about this collaboration.

Meanwhile, Chris has been busy speaking with the world about his latest full album, Graveyard Sex, releases earlier this year, and about the year that was 2020… (sorry we’re a bit late posting some of these — you know, 2020 and all that)

Wishing everyone a happy and more importantly a HEALTHY holiday season.

Announcing a new album, GRAVEYARD SEX, with video for “The Hypnotic Stand-by”

Today, Chris officially announces the upcoming release of his next album, Graveyard Sex. The album is available for pre-order on CD and digital formats today and will be released on November 11, 2020 by Armalyte Records.

This marks the fourth year in a row that Chris will celebrate his birthday with a new album. Preview the track “The Hypnotic Stand-by” now.

Pre-order the album now

Chris’s statement on the album:

I started writing what would become GRAVEYARD SEX in the autumn of 2019. I had been talking to a very ill Bill Rieflin, who had very recently lost his wife. We talked as we always talked, but he brought up the idea of my coming out to Seattle to work on some new music. I told him I would start getting some loose frameworks to perhaps work from, and we could start with a long weekend and see where we got and move on from there. At that time, there was a sadness in his voice and a fatigue from his illness, but the talk was very much of forward motion.

Sadly, it never happened; he became more tired and more ill, it quickly became apparent that we would not be able to get together and play music again. I continued to work on the music, and gradually the album became loosely based on Bill’s plight, his fight. Not literally, but for the most part figuratively and impressionistically.

The album is rich with musical references from things with which Bill and I shared a love — including the cover, which is a gallows humour homage to ROXY MUSIC’S “COUNTRY LIFE”, an album Bill told me was his favourite in one of our very frequent conversations about Roxy Music. The inclusion of a version of NICO’S “YOU FORGET TO ANSWER” was also a nod toward Bill, in that he introduced me to the song via a mixtape he made me just after we met in the late 80s.

The album’s title came from a joke I shared with Bill in my head. Very often, when I am writing, I use Bill as a sounding board or yardstick in my head to gauge the veracity or validity of what I am doing. (“Would Bill put a solo here? Would Bill think this was funny?”) GRAVEYARD SEX was me coming up with the most goth album title I could… I heard it being hissed through fangs in my head and I almost choked on my whisky, I laughed so hard. But after that, it became an image representing the meeting of death and life: graveyard and sex; and at the same time, it became a noun, a gender, a checkbox on a form? SEX: GRAVEYARD. It is all within the walls of this album.

One of the saddest parts of this record for me is the song “Lindsay Cooper”. Lindsay was musician we both admired, the beautiful bassoon player in the band HENRY COW, who suffered and eventually died from multiple sclerosis, like the tragedy of JAQUELINE DU PRE, the cellist who died from the same affliction. Both fought to keep playing, as did my friend Bill. They wanted to keep playing, and eventually, their efforts were thwarted.

This album is about facing death with life, inviting death into your life and trying hard to accommodate this unlikely guest.


  1. Graveyard Sex
  2. Infinite Last Wish
  3. Silk Balune
  4. Lindsay Cooper
  5. The Hypnotic Stand-By
  6. The Heart Has To Ache Before It Learns To Beat
  7. Mesmerido
  8. For The Love Of The Tension
  9. You Forget To Answer
  10. Looking For A Coda

Album photography and artwork by Derick Smith. Album cover layout by Vlad McNeally.

Video for “The Hypnotic Stand-by” by Kimberly Blessing; shot on location all around Scotland.

Prayer: A Birthday Tribute to Bill Rieflin


On Wednesday September 30th 2020, my beloved friend Bill Rieflin would have turned 60 years old. The journey for his loved ones after his passing has been a predictably hard and solitary one, but not exclusively so — despite the ugly cloud of COVID that prevented us from being with each other before and after his death, there have been glimmers of brilliant light that have helped all of us move forward and live with what has happened.

A short while ago, after his passing, a mutual friend introduced me to JESSICA GALLO, a harpist, and a certified music practitioner who became close with Bill, played for him during his long, painful struggle , and ended up collaborating with him, notably on “21ST CENTURY SCHIZOID MAN” by Toyah & The Humans, which was to be Bill’s last recording, and what a recording it is!

In an early conversation, Jessica told me that part of her grieving process was working on an arrangement for harp of the song “PRAYER” that Bill wrote for our 1996 collaboration “LARGO”. The piece is instrumental and I have some hazy memories of trying to come up with lyrics and deciding mutually that it should remain an instrumental for the album. The idea struck me that I should try and write lyrics now, and record them with Jessica and do something that would have absolutely delighted Bill (if only because of our valiant struggle through his labyrinthian chord changes!!!). And of course, what better way to celebrate his life than to issue it with all proceeds going to the clinic that treated and helped Bill during his illness.

So with very special thanks to the incredible engineer DON GUNN, we have two recordings: “PRAYER” – an instrumental for Harp , and “PRAYER” – with new lyrics and vocals by myself.

This, plus an exclusive video (also made by DON GUNN) will be available on SEPTEMBER 30TH 2020 with ALL PROCEEDS going to the VIRGINIA MASON FOUNDATION, specifically the FLOYD AND DELORES JONES CANCER INSTITUTE.

This will all be available through my Bandcamp page.

I cannot think of a better way to celebrate Bill’s birthday!

Thank you.

Chris Connelly, September 2020

Go to Bandcamp

If you wish to make your own tax-deductible donation, please visit the Virginia Mason Foundation Donate Page and select “Floyd & Delores Jones Cancer Institute” from the Designation drop-down. After clicking the button, complete your personal and payment details, and indicate that the gift is in memory of Bill Rieflin in the Tribute section. Thank you.

Wrapping up the virtual book tour for THE HEART HAS TO ACHE BEFORE IT LEARNS TO BEAT

Today, Chris wraps up the virtual book tour for THE HEART HAS TO ACHE BEFORE IT LEARNS TO BEAT. The final video is for THE SPITTING WIND, written for Front Line Assembly’s album WAKE UP THE COMA.

Thank you to everyone for following along, commenting, sharing and reposting… we hope you enjoyed the videos (see the full list below) and hope you will enjoy the book!

All videos:

  1. The Felled Wych Elm
  2. King Mob
  3. A Distant Black Spring
  4. Blue Fraud
  5. T.V. Song
  6. The Black Hive
  7. Hustler Face
  8. Henry Vs Miller
  9. I Thought It Was Snow… Instead It Was Flies
  10. About the Beauty of Laura
  11. Evangelical Sound Barrier
  12. Mr Lucky
  13. Jackietown
  14. The Last of Joy
  15. The Spitting Wind


As the state of the world makes a real book tour impossible at present, Chris announces a virtual book tour for THE HEART HAS TO ACHE BEFORE IT LEARNS TO BEAT. Look for videos to be posted to Chris’s various social media accounts and elsewhere on the web!

Follow Chris’s official accounts on these social media platforms:

THE HEART HAS TO ACHE BEFORE IT LEARNS TO BEAT is available now. It is published by Shipwrecked Industries, ISBN 978-0-9664065-7-3.

Buy it from Amazon Buy it from B&N